Tag Archives: Journal

CfP – MUSICultures

MUSICultures is the scholarly journal of The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales. It is a refereed journal that is published twice a year under the auspices of the Society. The Journal publishes original articles in English and French on a wide range of topics in ethnomusicology, traditional music research, and popular music …Read more »

CFP: MOUSIKOS LOGOS

CFP: CALL FOR SUBMISSIONS MOUSIKOS LOGOS https://m-logos.gr/ In celebration of the 15th anniversary of Mousikos Logos, the editors are pleased to announce the journal’s new direction and to invite submissions for its 2018 issue. Mousikos Logos has been one of Greece’s premier musicological periodical publications and, since 2013, its only English-language, peer-reviewed open-access electronic journal (https://m-logos.gr/). It is now served by a …Read more »

CfP – El oído pensante, 31.03.2018

El oído pensante invites the submission of articles for the sixth volume (No. 2, 2018) The aim of this biannual peer-reviewed online journal of free access is to promote debate on theoretical, methodological and epistemological dilemmas faced by different kind of music research. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to …Read more »

CfP: El oído pensante, No. 2, 2018

El oído pensante invites the submission of articles for the sixth volume (No. 2, 2018) The aim of this biannual peer-reviewed online journal of free access is to promote debate on theoretical, methodological and epistemological dilemmas faced by different kind of music research. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to …Read more »

Publication: Journal of World Popular Music 4(2)

PUBLICATION ANNOUNCEMENT   Link to issue 4.2: https://journals.equinoxpub.com/index.php/JWPM/issue/view/2511   We are pleased to announce the publication of our latest issue 4.2 of the Journal of World Popular Music, an academic peer-reviewed journal that welcomes interdisciplinary perspectives and is dedicated to the dissemination of research on popular musics in different international and sociocultural contexts. Over the last four years in its …Read more »

CfP – Riffs Journal

Call for Proposals The editorial team of Riffs: Experimental Writing on Popular Music invite 300 word / one page of A4 (visual) proposals for the next 2018 volume from PhD, MA, and outstanding undergraduate students, based on the following prompt: “There is nothing wrong with hating rock critics” – Of Montreal, 2003 Your response should consider in some way journalistic and academic forms …Read more »

CfP: Journal of Popular Music and Education

Special issue on Hip-hop Deadline: 01. Juni 2017 Hip-hop is a highly marketized, global cultural phenomenon, also experienced and created in local, regional underground scenes. It is individual, tribal, subcultural, marginal and mainstream. Hip-hip is cliché and iconoclast, rebellion and conformity. It is characterized by aspirations to individual wealth, as well as embodying and embracing movements for democracy and emancipation. …Read more »

CfP: African Music Journal 2017

Deadline: March 31, 2017 Dear All,   With the retirement of Prof Diane Thram, who edited AFRICAN MUSIC throughout her tenure as ILAM’s Director for the past 10  years and my   appointment as her successor, I have assumed the editorship of AFRICAN  MUSIC with the 2017 issue. It is my pleasure to announce that  submissions for V10, n3 – 2017 of ILAM’s peer reviewed, …Read more »

DANCECULT Journal of Electronic Dance Music Culture

DANCECULT Journal of Electronic Dance Music Culture +++++++++++++++ ISSUE 8(1) http://dj.dancecult.net

CfA: Performing Exotica (Norient Academic Online Journal)

Euro-American popular music (as well as Western Art Music) has throughout its history been shaped by various musical forms, styles and collaborations – in effect being a precursor to the term “hybridity” applied primarily to collaboration between Euro-American musicians and musicians from other cultures and since the late 1980s often marketed as „world music“ or „world beat“. When drawing on …Read more »

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