Tag Archives: Film

CFP (reminder): Music and the Moving Image, New York

The Music and the Moving Image Conference (24-27 May 2018) is accepting submissions that explore the relationship between music, sound, and the entire universe of moving images (film, television, video games, iPhone, computer, and interactive performances) through paper presentations. You can submit abstracts/synopses of papers (250 words) via Google Forms by clicking this link:  https://goo.gl/forms/Ni czqCeHoaqSThI32 by December 15th, 2017. Please direct questions to mamicon2018 -at- gmail.com.

CfP: Popular Music and the Moving Image in Eastern Europe

Call For Papers Popular Music and the Moving Image in Eastern Europe Special issue of Studies in Eastern European Cinema guest-edited by Zsolt Győri A special issue of SEEC calls for contributions (not exceeding 6000 words) on the uses of popular music in the moving image in Eastern Europe – including musicals, other types of fiction film, music videos, documentary …Read more »

CfP: music and humour in film and television

30 March-1 April 2017, Kiel University, Germany deadline extended: December 20, 2016. Kieler Gesellschaft für Filmmusikforschung: “Music and Humour in Film and Television” 30 March – 1 April 2017 – Kiel University, Germany Humour is difficult. Not so much in life, where it is all around us almost all of the time (when we talk to others, be they friends …Read more »

Konferenz: Silent Film Sound: History, Theory & Practice (Christian-Albrechts-Universität zu Kiel)

The Sounds of Silents – Sound & Music in Viennese Cinemas 1895 – 1930 „Silent Film Sound: History, Theory & Practice“ February 22 – 23, 2013 – Department of New German Literature and Media Studies, Christian-Albrechts-Universität zu Kiel This conference is dedicated to gather international scholars in the field of musicology, film studies and related disciplines to promote the discourse on …Read more »

CfP: Titles, Teasers and Trailers (University of Edinburgh)

Titles, Teasers and Trailers 22–23 April 2013 – Centre for Film, Performance and Media Arts, University of Edinburgh Deadline: 18 January 2013 Like the dust-­ jacket of a novel, teasers, trailers and titles are paratexts – supplements which, as Gerard Genette puts it, „make present“ a corresponding and antecedent text. Their ephemeral nature means that many see promotional texts as …Read more »

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