Category Archives: Conference

Graduate Student Music Conference at Rutgers University

2018 Graduate Student Music Conference Call for Papers The Rutgers University Musicological Society (RUMS) invites paper proposals for its fourth annual Graduate Student Conference, to occur on February 25th, 2018 in New Brunswick, NJ. The submission deadline is December 10th, 2017 at 11:59 p.m. EST. RUMS welcomes abstracts of approximately 250 words from current graduate students in all areas of …Read more »

CfP-Let’s squeeze that Lemon

Let’s squeeze that Lemon – Kulturelle und mediale Repräsentation im Visual Album „Lemonade“ von Beyoncé – Call for Paper Abstracts Deadline: 3.1.2018 Termin: Fr. 26.1.2018 Ort: Carl von Ossietzky Universität Oldenburg, Institut für MusikOrganisation: Jolanta Stebel, B.A. & Dr.des. Carla Schriever Dass Popkultur in gesellschaftlichen und politischen Prozessen tief verankert – und somit nicht trivial ist (Hecken 2013), stößt in …Read more »

CfP: Ambient@40. 23-24.02 @ University of Huddersfield

Ambient@40 Call for Proposals Deadline: 17.00 (GMT), Friday 5th January 2018.   In the forty years since the release of Brian Eno’s Music for Airports the concept and aesthetics of ambient music have proliferated, influencing artists as diverse as Taylor Deupree, Steven Wilson, David Lynch and The Orb, infusing drone, microsound, minimalism and experimental electronic music as well as aspects …Read more »

CfP: Queerness, Voice, Embodiment – 2nd Symposium of the LGBTQ+ Music Study Group @Maynooth University

Call for Papers: Queerness, Voice, Embodiment 2nd Symposium of the LGBTQ+ Music Study Group https://lgbtqmusicsg.wordpress.com/ 20th-21st April 2018 Maynooth University (near Dublin) Deadline: December 11, 2017 Elizabeth Woods’s essay ‘Sapphonics’ (1994) set in motion new discourses on the voice in music studies. With an example of the unique expressive qualities of lesbian difference and desire, Sapphonics questions the universally assumed …Read more »

CfP: Crosstown Traffic: Popular Music Theory and Practice

Crosstown Traffic: Popular Music Theory and Practice University of Huddersfield, UK 3rd-5th September 2018  This is a call for papers for a joint conference arranged by four organisations: International Association for the Study of Popular Music UK & Ireland Branch (IASPM UK&I) Association for the Study of the Art of Record Production (ASARP) Dancecult: Electronic Dance Music Culture Research Network …Read more »

CfP – Hip Hop Studies

CfP: AMS/SMT Alternative-Format Joint Session on Hip-hop Studies Deadline: 15. Dezember 2017 In the introduction to his 2000 book Making Beats: The Art of Sample Based Hip-Hop, Joseph Schloss notes the relative absence of music studies: “It does no disservice to previous work to say that [hip-hop studies] has tended to focus on certain areas (such as the influence of …Read more »

CfP – MoPOP Pop Conference Seattle

Deadline 10. November 2017 What Difference Does It Make? Music and Gender 2018 MoPOP Pop Conference April 26-29, 2018, Seattle WA Popular media in the 21st century is rife with radical differences around gender. Even as audiences cheer on shows like RuPaul’s Drag Race, viewers and voters reward toxic masculinity at the box office and the ballot box. Popular music …Read more »

One-Day Seminar: CULTURAL POPULISM, THEN AND NOW

CULTURAL POPULISM, THEN AND NOW: The work of Jim McGuigan Friday 1 December 2017, 10:45-6pm Northampton Suite, University Building, City, University of London, Northampton Square EC1V 0HB Free but please register here: https://www.city.ac.uk/events/2017/december/cultural-populism-then-and-now Speakers include: Stuart Allan (Professor of Journalism and Communication, Cardiff University) Ros Brunt (Research Fellow in Media Studies, Sheffield Hallam University) Kate Lacey (Professor of Media History …Read more »

CfP: MS/SMT Alternative-Format Joint Session on Hip-hop Studies

Call for Participants: AMS/SMT Alternative-Format Joint Session on Hip-hop Studies In the introduction to his 2000 book Making Beats:  The Art of Sample Based Hip-Hop, Joseph Schloss notes the relative absence of music studies:   “It does no disservice to previous work to say that [hip-hop studies] has tended to focus on certain areas (such as the influence of the …Read more »

CfP: Crosstown Traffic: Popular Music Theory and Practice@ University of Huddersfield, UK

Call for Papers: Crosstown Traffic: Popular Music Theory and Practice University of Huddersfield, UK 3rd-5th September 2018   This is a call for papers for a joint conference arranged by four organisations: International Association for the Study of Popular Music UK & Ireland Branch (IASPM UK&I) Association for the Study of the Art of Record Production (ASARP) Dancecult: Electronic Dance …Read more »

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